Laserfiche WebLink
Planning Commission <br />Meeting Minutes <br />December 14, 2017 <br />Page 4 of 10 <br />Typically the price would be fair -market value, but the sign had value to Louisville only so <br />market value would not reflect the value of the sign. However she thought staff and the <br />applicant had done a fair job in coming up with a price that reflected the cost of payment. She <br />did not recommend requiring the applicant to make a new sign with the funds. <br />Dickinson stated that while $34,000 was steep, it made sense to use funds toward preserving <br />the sign. There are few icons more important to Louisville than the Blue Parrot sign, so its value <br />was whatever the Commission agreed to pay for it. He concluded that he was in favor of both <br />resolutions. <br />Ulm stated he was fully support of Resolution 1. He had minor concerns over the pricing. <br />Resolution 2 asked the City to pay for a new sign, which was not necessarily the job of the <br />Commission. He added the numbers before the Commission did not reflect the total cost of the <br />sign to the City, as there would be future costs including storage and remounting. He agreed <br />with Commissioner Cyndi Thomas that the replacement sign did not need to be similar to the <br />Blue Parrot sign. <br />Chuck Thomas agreed that the cost was mind-boggling, but he believed it was a reflection of an <br />in-kind replacement. Other than the high price, he did not have a problem with Resolution 2. He <br />agreed with Commissioner Ulm that the new sign did not have to be an in-kind replacement. <br />Overall he supported the resolutions. <br />Haley stated that she supported Resolution 1. The value in Resolution 2 was also reflective of <br />the value to the community of having an in-kind replacement, which was a value that could not <br />be expressed in by the market as it was an emotional, subjective value. <br />Fahey stated that the sign was an iconic part of Louisville. However, when the Commission <br />grants money to other historic structures it tells applicants not to make their replacements look <br />like the previous structure. She added that the applicants should be allowed to do something <br />with the same size and shape. <br />Trice stated that they were not paying for the new sign. They were using the value of a new sign <br />as a way to estimate the cost of acquiring the sign. The Commission had no design review over <br />the replacement sign. She reminded the Commission that they could attend the Planning <br />Commission on February 8th as a member of the public, not as an HPC member. <br />Dickinson stated that what was sad for everyone was that the Blue Parrot was gone. He stated <br />that asking the new owner to brand their building in a particular way was odd. He stated that <br />putting City money behind something of historic value was important to the Commission. <br />Chuck Thomas stated that the proposal to keep the sign was consistent with displaying objects <br />such as the Rex Theatre curtain in the Louisville Historic Museum. <br />Trice stated that a group recommendation from HPC could go to City Council in February <br />regarding input on the final design of the sign. <br />Cyndi Thomas stated that the value piece was difficult. It felt like too much money when the City <br />would give $21,000 for a whole house. However, the sign had major significance to the town <br />making it harder to value. <br />Trice stated that it was also the difference between a grant and an acquisition, so the City would <br />own the sign through this procedure. <br />